In this series, I explore the tension between man’s attempt to shape the alpine environment and our vulnerability confronted with an inability to control its natural forces. In contrast with 19th century romantics who were awed by the mysterious power of nature and poignantly aware of man’s relative insignificance, the expanding leisure class of the past century has attempted to tame these forces and create a recreational safety zone. Ski resorts with easy accessibility, urban density and architecture, snowmaking, piste grooming and avalanche blasting, create an illusion of security. The predictability bordering on absurdity of human behaviour is apparent in skiers’ desire to herd together, move as a pack and remain within a comfort zone, avoiding ‘forbidden’ areas. As a microcosm of human behaviour  this highlights man’s urge to socialise, colonise and dominate versus the romantic quest for solitary and contemplative experiences.

  • Crowded Resort (Courchevel), 2010
    Crowded Resort (Courchevel), 2010
    Chromogenic print
    Signed & dated
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Into the Clouds (Verbier), 2014
    Into the Clouds (Verbier), 2014
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Drag Lift (Courchevel), 2013
    Drag Lift (Courchevel), 2013
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Les Creux II (Courchevel), 2016
    Les Creux II (Courchevel), 2016
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Popular Piste II (Courchevel), 2020
    Popular Piste II (Courchevel), 2020
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Crowded Slopes (Courchevel), 2008
    Crowded Slopes (Courchevel), 2008
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Crossroads II (Courchevel), 2015
    Crossroads II (Courchevel), 2015
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Trois Vallées (Val Thorens), 2019
    Trois Vallées (Val Thorens), 2019
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Resting Place (Courchevel), 2020
    Resting Place (Courchevel), 2020
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Ski School (Courchevel), 2020
    Ski School (Courchevel), 2020
    Chromogenic Print
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Ski Day (Kitzbuhel), 2017
    Ski Day (Kitzbuhel), 2017
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Catwalk (Courchevel), 2016
    Catwalk (Courchevel), 2016
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7
  • Mountain Restaurant (Meribel), 2022
    Mountain Restaurant (Meribel), 2022
    Chromogenic print
    Signed & dated
    50 x 40” (127 x 101.6 cm) - edition of 5
    30 x 24” (76.2 x 60.96 cm) - edition of 7